William Berczy, The Woolsey Family, 1809 |
William Berczy’s The Woolsey Family (1809) is undoubtedly on of his, nay, Canada ’s masterpieces. Despite the portrait’s many exceptional qualities, it is a work that has not received a great deal of in-depth academic attention. A re-examination of the portraits produced during Canada ’s pre-Confederation history reveals, however, that Berczy’s work may be the only example of a family conversation piece; an elevation in status that ought to be recognised more broadly within Canadian history texts.
Cornelius Krieghoff, Breaking Lent (detail), c. 1850s |
There are other Canadian works that would appear to fit this classification, but because they lack one or more of the components of the definition they cannot be included. We must move forward to Cornelius Krieghoff in the 1850s and 1860s to find works that even come close. Breaking Lent appears to be a conversation piece, but because none of these figures are identifiable, and the home is likely a figment of the artist’s imagination, the work can only be considered a genre piece.
Cornelius Krieghoff, Flirting While Braiding Straw Hats, 1862 |
Another Krieghoff example, Flirting While Braiding Straw Hats shows a similar French Canadian family in their kitchen. This time, one of the individuals may be identified – the mother is speculated to be Krieghoff’s sister Emily. But because she is portrayed as a character rather than herself, and the remaining figures and setting are of the artist’s imagination, the work cannot be considered a conversation piece.
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